Wednesday, August 17, 2022

Skeena Sojourn

It's now in the mainstream news: the Skeena system, in northwest BC, is seeing the most abundant returns of salmon in decades. One estimate puts the expected return at 4 million sockeye.

I was in Terrace recently and had a small taste of the euphoria in the north-west communites for whom salmon has been the centre of their lives, for centuries. 

I went out on the Skeena one day with my son and his partner. We watched a family harvesting for their traditional use. They set out a gill net, and within minutes the net was full.

Bringing the boat in, Skeena River

The name Skeena means "river of mist", reflecting the moist climate of north west BC which has led to rainforests of giant Sitka spruce and cedar. The Skeena is a powerful river; it evokes awe in those who stand beside it, or take to its waters. At the launch there's a sign warning boaters of unpredictable currents and other hazards for the boater. The river becomes tidal as it approaches the ocean. The complex interaction of river current and tidal forces makes for dangerous boating.

The Skeena towards Prince Rupert. The tidal influence is reflected in the sand bars. The water looks relatively peaceful here, but it can turn quickly as tides shift. We drove to Prince Rupert one day and saw 4 foot standing waves on our return journey.

I was in Terrace a few years ago when the Skeena was in flood, in June 2017. Here are a couple of images from that time. The sheer force of the river is evident.

Skeena River in flood, June 2017

Photo taken from the bridge deck in the previous image

Ken and I were gifted some salmon by a man staying in our hotel who was from Gingolx (Kincolith) in the Nass Valley. He worked security at one of the large construction sites in the area, and left his community for 14 days out, returning for 14 days, while he worked at a construction site near Terrace.

A gift of salmon from the Nass Valley

The importance of salmon in the Pacific Northwest is highlighted by the Skeena Salmon Arm Festival in Terrace. Started in 2018, it's a summer-long celebration of art and salmon. The festival's legacy is stunning. Even though it is only a few years old, downtown Terrace is becoming a vibrant art exhibit.

Here are a few images that I took one enjoyable morning wandering downtown Terrace streets. I was amazed by the wide variety of businesses and organizations participating in the murals project. Unfortunately I wasn't able to find all the artists' names. I did learn that many are indigenous.

Canada Post Building, Terrace

Canada Post building, Terrace

A mural by Casey Braam, wrapping around a 90 degree corner of a building. I saw Casey's name on a number of the murals. I liked how he focussed on the importance of riparian habitat in this image of a tree stump in the water.

Part of a mural with more muted colours - and more reflective of the reality of the river

This mural was primarily one single fish

Steelhead are depicted in this mural sponsored by the Steelhead Society of BC. Artist: Kari Morgan.

Another design which moves around a building corner. Artist: Casey Braam

The same design moves from the valley bottom, to the cliffs and mountain peaks. While salmon are prevalent in murals, other animals of the northwest appear in some murals, such as these mountain goats. Artist: Casey Braam

The artist of this mural chose to show the recycling of salmon, from their bones to new life which is fed by the nutrients from their carcasses.

The same mural, continued

One final two snapshots from another salmon mural, this one depicting the life cycle of the fish: 

Artists: Sarah Zimmerman and Jaimie Davis

Artists: Sarah Zimmerman and Jaimie Davis

Terrace murals are not limited to salmon; the displays I saw depicted the forests of the Pacific Northwest in vibrant colour and diverse images.

Here is a selection of other images:

Artist: R. Brown and Casey B. The mural continues, below.


Artist: R. Brown and Casey B.

Spruce grouse.

I liked the acknowledgement of the forest, and the cycle of life in the forest with fungi growing on old trees.


Carters Jewelry store mural

The Kermode bear. The City of Terrace uses this bear in its logo design.. Artist: Jorg Jung

A fabulous eagle stretching along a storefront. Artist: Michelle Stoney.

Two stylized versions of the Stellar's Jay

A colourful mural of wolves and a raven (further images follow). Artist: Leah Pipe



I will finish with one last set of images -- plants, rather than animals.

A mural by Metis artist Carly Nabess on the wall of the Terrace Women's Resource Centre, featuring native plants.




The art gallery had a Skeena Salmon Art show, so I continued my salmon themed morning checking that out. Here is the poster from the gallery show:
The work of two artists was used for the poster for the show -- Marie Christine Claveau (top) and L. McGregor (bottom)

I am sure there are many more murals to be discovered in Terrace. It seemed that every corner I turned, I would look behind me and see another stunning image on the back of a building. 

Kudos to all those involved in developing this wonderful homage to salmon!

Tuesday, July 26, 2022

Making Places

A while ago I encountered some colourful painting on Vancouver Street. There was an obvious design, so I guessed it was intentional, not just random tossing of paint from a can. Initially, I thought it might be "guerilla art", in the same style as guerilla gardening.

Vancouver Street intersection with Burdett, late June

Then, a day later, I was again walking the same street, and this is what I saw:


I realized I was looking at art in progress; there was nothing dead-of-night about this! Though the paints were there, I could not see the artist.

A few days later, I walked by again.

Vancouver Street art in the making

Finally, the next day, I met the artist, Jesse Campbell, a Victoria mural artist who has done many murals around the city, including some I have shown in posts on this blog. His website is campbellvisualarts.com.

I like the artist's statement on Campbell's site, especially how he phrases his desire to give back to his community, and his acknowledgement of the influence of a teacher in his life. Here is an excerpt:

Jesse spends time mentoring youth on the craft of mural painting and understanding the diverse forms of Indigenous art across North America. Since a youth, he has been inspired by the work of natural historians throughout the world as well as the knowledge of his adopted aunt Bev Haines (Haida) and the knowledge keepers of the territories he has lived. Jesse began taking his art more seriously while being mentored under Alex Clark, a long-time teacher in the Victoria School District who recognized his talent and taught him to live and work in a good way. Jesse hopes to continue passing on these teachings through his art, his collaborations, and his students.

Jesse Campbell at work on the Vancouver Street mural. Note the white painted road across the street. The plan is to bookmark the design. Campbell said he will be working on the other one across the street so it "flows" from one side to the other.

As the sign illustrates, the project is a work of the "Placemaking Network". Another sign indicates that it is being funded by the City of Victoria's Participatory Budgeting Program.

When I spoke to Campbell, he was waiting for the sun to filter light through the leaves so he could capture them accurately on the road surface.

Leaf detail

Another perspective on the Vancouver Street mural.

So - what is "Placemaking" anyway? I checked out the website of the Greater Victoria Placemaking Network (https://victoriaplacemaking.ca/placemaking/)

Here is its definition:

Placemaking is the process through which we work together to shape our public spaces. Rooted in community-based participation, Placemaking involves the planning, design, management and programming of shared use spaces. More than just designing spaces, Placemaking brings together diverse people (including professionals, elected officials, residents, and businesses) to improve a community’s cultural, economic, social and ecological situation. 

It is a creative but intentional process. Placemaking builds on our growing environmental awareness by helping communities adapt and thrive within our constructed and our natural world.

So, by this definition, Placemaking is intentional. One of the projects the website cites as an example of its effectiveness is the amazing Little Library network throughout Victoria. I have profiled a number of Little Libraries in the past, but more keep appearing. Here are a couple of recent ones I have encountered:

Little Free Library (LFL) in Fairfield

Niagara Street Little Library. The Threshold Housing Society provides a community for at-risk youth in Greater Victoria.

The other side of the Little Library shown above. I wonder if youth involved in the Threshold Housing Society created the artwork for this Little Library.
May Street Little Library. This is located by a bus stop, and the two benches provide seats for passengers waiting for the bus. Note the metal water bowl for dogs; I find these frequently in Victoria. Note the turf is artificial.

One of the things I like about the concept of Placemaking is that it is oriented to life on the street. Those of us who walk, or use human-powered mobility to navigate streets, do so at a pace which allows us to appreciate the art of the streetscape.

While I think it's fine for the Placemaking network to take "credit" for some of these initiatives, I am certain that there is a mindset in Victoria that equally contributes to the desire to create interesting things. It's an organic, "bottom-up" process that results in a multitude of touches and details.

Placemaking is oriented to public spaces; here are a few examples of privately initiated placemaking that I've encountered:

Bench being used by a man sitting in the sun, outside Birdcages Confectionary. The owners of the confectionary have contributed to the life of the street by providing the sitting area.
Colourful backyard art beside May Street in Fairfield. Passers-by get to enjoy the vivid display of art created by the house occupants.

A fountain from the same house on May Street.

An arbour over a sidewalk created by gardening the boulevard, Bushby Street. The occupants of the adjacent house have created a "place" for all who walk through their street garden to enjoy.

This is the same boulevard garden from a different perspective

A funky touch beside the sidewalk, again from the same garden

One final image from the Bushby Street garden. The sign reads "The road to a friend's house is never long."

A quiet stopping place in a hidden public garden at the Empress Hotel. This is available for public enjoyment, but is maintained by the hotel.

The Empress Hotel pollinator garden, with bee hives in the background. The hotel has a beekeeper, and uses honey from the hives in its kitchens.


One of three similar installations along Yates Street. I'm puzzled about these. There was bird seed, the installation is covered, but it seems an odd way to encourage birds. Perhaps some readers know the story? Whatever the big picture, I found the installation contributed to a shared sense of place.

A feeding station for birds?

Parks are part of our shared places Victorians enjoy. I've featured Beacon Hill Park many times in this blog; here is a smaller one.

Quadra Park, on Belleville. This is a small underutilized spot. There was Placemaking attention to detail to make this a pleasant place to rest.
The next series of images reflects the contribution of an unknown individual to the life of Dallas Road. I believe these masks are from a personal collection.
A power pole on Dallas Road, near the Heliport. A random contribution to place by someone who loves masks.




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One perspective of the power pole on Dallas Road



One of many fairy gardens to be discovered on boulevards. The sign reads, Fairy door on a tree. Does it open, come and see!

I like the public availability of this bench for "free stuff", built by a nearby occupant, and located on the public sidewalk.

I will finish off this post with a few examples of detailed crafts-person-ship, which I think helps contribute to a sense of place.

Here are a small selection of images which have pleased me recently.
Detail from entrance at Shoal Point condos on Dallas Road.

Additional detail from the Shoal Point condo entrance.

Detail from a cross at Ross Bay Cemetery.

Full cross, Ross Bay cemetery.

A yard gate on Ontario Street.

While the Placemaking network might be looking for more public space oriented projects, I think these examples of individuals making their spaces unique adds to the richness of Victoria.